FILMOGRAPHIE & THEATRE

Lettres et chansons de Clara et Robert Schumann,  (Clara Schumann)  Corthell Hall, USM, USA

Une petite entaille, de Xavier Durringer (Rosa) Théâtre du Rond-Point,  Paris France

Création et mise en scène de Xavier Durringer, avec Vincent Cassel

Bal trap, de Xavier Durringer (Lulu) Le Guichet Montparnasse, Paris, France et tournées en Europe et Louisiane

Création et mise en scène de Xavier Durringer, avec Vincent Cassel 

Une rose sous la peau, de Xavier Durringer (Carla) Festival d’Avignon, France

Création et mise en scène de Xavier Durringer 

Savage Love, de Sam Shepard (Femme fatale) Théâtre Marie Stuart, Paris, France

Mise en Scène de Robert Cordier, avec Gérald Laroche 

Les Fourberies de Scapin, de Molière (Hyacinthe) Tournées, Belgique et Pays Bas

Mise en scène de Jacques Bachelier, avec Urbain Cancelier et Olivier Breitman 

2019 L'eau vive (titre alternatif Je suis l'eau) court métrage diffusé sur IMAGO TV, Nikon Film Festival, et le festival Le temps presse du pré Saint Gervais 

2004  Le Cid au Flamenco, de Corneille.  Saint Lawrence Theatre, Portland, Maine USA et Theater at Monmouth, Maine USA

2002  La Promise, de Xavier Durringer.  Saint Lawrence Theatre, Portland, Maine USA

Traduction et mise en scène. Spectacle subventionné par Étant Donnés, services culturels de l’Ambassade de France, et par la Maine Arts Commission et le Maine Humanities Council.

2001   Africa/Portland. USM Theatre Russell Hall, Maine USA

Création avec des réfugiées africaines de Portland. Spectacle également invité  à Augusta par le gouverneur, aux journées d’engagement civique du Maine.

2001   Pinocchio-I never lied . Theatre at Monmouth, Maine USA et Deertrees Theatre, Maine USA

2000   Phèdre, de Jean Baptiste Racine.   USM Theatre Russell Hall, Maine USA

2000   Endurance, de Louise Smith. Andy’s Summer Playhouse, NH USA

Création sur la célèbre expédition de Shakleton en Antartique de 1914.

1999   Rest Stop, d’Elias A. Bresnick.  Oak Street Theatre, Maine USA

1998   Une envie de tuer sur le bout de la langue, de Xavier Durringer  (Première américaine).  USM Theatre Russell Hall, Maine USA

1996   Potins de Femmes, de Robert Harling.  OHMPAA Theatre, Paris, Maine USA

1995   Music Hall, de Jean-Luc Lagarce.  Oak Street Theatre, Maine USA

Première américaine. Traduction et mise en scène. Vintage Repertory Theatre

Spectacle subventionné par l’ambassade de France à New York. 

1994   Les Bonnes, de Jean Genet. Oak Street Theatre, Maine USA. Vintage Repertory Theatre

1994   Mademoiselle Julie, Strindberg.  Deertrees Theatre, Maine USA

1993   Une demande en mariage et L’Ours d’Anton Tchekhov. Deertrees Theatre, Maine USA

1992   Le Petit Prince, d’Antoine de St. Exupéry. Hebron Academy, Maine USA

1992   Une envie de tuer sur le bout de la langue, de Xavier Durringer Lecture publique UBU Repertory Theater, New York, NY, USA

1992-94 Charlie Brown, Musical Hebron Academy, Maine USA

The Maids :

The play is great, brilliantly written, superbly staged and acted, the thrill surpasses almost everything. (Community Pride Reporter)

There is one truth that emerges from this production: The acting, directed by guest artist Emmanuelle Chaulet, is superb.... Vintage Repertory’s rendition captures the essence (of the play), engaging a sometimes bewildered but clearly bewitched audience with meticulously sustained characterizations, skilled direction and dramatic lighting. (Portland Press Herald)

Vintage Repertory Company’s presentation of The Maids yields performances that ring true to all aspects of this disturbing convoluted work. Don’t miss this audacious production. (Maine Times)

Music Hall :

This is an acting tour de force for· Bergeron, who is in total command of this role both physically and emotionally.... she is funny and sad and filled with desperation. (Portland Press Herald)

A passionate, moving and finely crafted performance. Jane Bergeron delivers a bravado performance as The Girl. (Face Magazine)

A Taste Of Killing On the Tip Of The Tongue :

Every single rehearsal is like a workshop, she is the best director I’ve ever worked with,” says Guerin, actress & acting coach (Free Press)

USM Actors impressive in Taste. The acting is most impressive. With their open expressive faces, college-age actors elicit the audience sympathy and hope that it is not too late for them to find their way. (Portland Press Herald)

Chaulet’s style is cinematic even on the stage, with the use of close ups by lighting and blocking.  (The Journal Tribune)

Rest Stop :

Emmanuelle Chaulet’s direction is tight and sensitive. She packs a wallop in the short hard-edged fight scene. (Portland Press Herald)

The plot (...) is enthralling and touching at the same time, showing the actor’s mastering of the characters and of the dialogue. They are well directed under veteran Emmanuelle Chaulet. (Free Press)

Phaedra :

Directed by Emmanuelle Chaulet, this play contains many intriguing innovations, such as the use of slides projected on the back wall of the stage, modern music and creative movement. The Creative Movement Chorus functions much as the traditional Greek Chorus, bringing a nice, dreamlike, deeply symbolic and visually striking atmosphere to the play, (...)  Chaulet is willing to take risks with this production, and she does an admirable job blending them into a cohesive statement. (The Journal Tribune)

Boyfriends And Girlfriends :

In her movie debut, Chaulet brings a rich emotionalism to the part, upholding the Rohmer tradition of exquisitely vulnerable heroines.(...) She is one of the new breed of bright and articulate European actors who take their craft seriously. She has chosen to build a strong technical foundation to support a lengthy career. To augment her training in France, she has been studying method acting on a (Fulbright) scholarship at the Lee Strasberg Theater Institute in New York. (Premiere Magazine)

Emmanuelle Chaulet, the muse behind Eric Rohmer’s Boyfriends and Girlfriends. What makes this film so moving is the gradual unfurling of Emmanuelle Chaulet within her character. Chaulet is a small slight woman with dark red hair and dark eyebrows. She speaks precisely and moves with a grace (...) like a belle of the last century. She is intelligent, reserved, orderly, almost excessively sensitive and surprisingly robust. She is not a naturally magnetic screen presence, but she grows increasingly beautiful through the course of the film as she drops her guard bit by bit. (Interview Magazine)

Boyfriends and Girlfriends is full of unexpected delights. As usual every member of the cast is very good, but Miss Chaulet may very well be a brand new star. (...) 102 mn all wonderful. (Vincent Canby, The New York Times)

Emmanuelle Chaulet is one of the prettiest and best actress that have been seen in Eric Rohmer movies, and then, there is her character, shy and complex. Emmanuelle Chaulet accomplishes Blanche’s metamorphosis in a walk through the woods8 (....) that has the beauty of Jean Renoir’s Partie de Campagne. (Le Monde)

All The Vermeers In New York :

The real star of the whole show, it’s Anna, the Emmanuelle Chaulet who made such an exquisite debut in Eric Rohmer’s Boyfriends and Girlfriends.(...) Only trouble is: she doesn’t in the least look like the woman in that Vermeer; she is much prettier. (New York Post)

Boasting, invigorating performance from Emmanuelle Chaulet as a French actress in New York. The film is an elegantly incisive and gorgeously romantic comedy of manners. (Rolling Stone)

Anna, (Emmanuelle Chaulet) is Jost’s cinema borrowing from his favorite film director, Jean-Luc Godard, the kind of cool, enigmatic, beautiful but morally vacuous character whom Jean Seberg immortalized in "Breathless". (The Boston Phoenix)